Review re-written on 1964 Swissa Junior.
The draft was typed immediately after the movie on my 1937 Hermes Featherweight:
One of the most annoying statements people make when they hear I’m a writer, is that they’ll shake their heads and say, “I’d love to write a novel, if only I could find the time.”
To most writers, this is a seriously demeaning statement, because most of us have 24 hours in a day, juggling our work, private life, responsibilities and social activities, and yet we authors are able to find our time to write.
I’ve written several novels and short stories and I’ve had people asking me, where do you find the time to write? And I tell them, wherever I can:
- I worked night shifts as a security officer, filling the bulk of my shifts with writing.
- I rarely watch live television, but I pre-program my television to record what I want to see, so that I can fast-forward through commercial blocks (a two-hour movie on television contains some 30-40 minutes of commercials!).
- I write on an iPad with a bluetooth keyboard that I take everywhere, so I can write in waiting rooms and playgrounds (where my children are running around).
- I turn my manuscripts into e-books that I can edit on my e-reader while I’m waiting in queues at the supermarket or during rides in public transport.
- I get up an hour before the rest of the family wakes up, so I can cram in some writing before breakfast.
And I don’t mess around when I’m writing:
- I write in drafts so that I finish a draft before I start editing. Writing and editing require different mindsets – I used to edit while I wrote, but I don’t do that anymore, because my inner editor will stifle my creative mind. And if you spend time editing on a scene that you’ll cut anyone is wasted time.
- I don’t worry about beginnings, endings, chapter length, opening sentences, character names, or if the right words don’t come to mind (I write the closest word and add a @, so I can find the word again when I’m editing). Most of that stuff will be decided on in the editing process. My first rough draft is not to be read by anyone but myself.
- Formatting, like smart quotes, bold, italics, chapter names, et cetera, is decided in the late editing stage, when the story is shaping into a manuscript.
The most important thing is that rough draft. Get that story out of your mind and onto a paper or screen, so you can look at what was in your head. Two hours movies often have several hours of deleted scenes that never made the movie. A sixty minute album of music will require a week of studio time. A novel you can read in eight hours was created in twelve months from a manuscript that might take twenty-four hours to read.
When you get better at filming, you will become more efficient. You won’t need to shoot eight hours of film to produce a two-hour movie. You won’t need weeks to produce sixty minutes of music. And you won’t need to re-write your draft six times to produce a polished manuscript. With practice, you become more efficient.
Don’t fritter your time away – do something constructive and write that draft. You can thank me later.
As there are always writers and fans who are curious about the work methods and gear of authors, I decided to show off my workstation.
Warning: this article has a high ‘gearhead’ ratio, so proceed at your own risk.
This is my workstation when I write at home, i.e. my stationary station. I also have a set-up for ‘on-the-go’ (which can be briefly seen here), but I’ll come back to that in another article.
When I write at home, I sit in the living room, street side. My living room doubles as a dojo (and a playroom for the kids), which explains the sword rack and the judo mats on the floor… In the picture, the curtain is down, but during the day I often have the curtain raised to let the sun in. The lower parts of the window are frosted so people won’t be able to see inside (and I don’t spend my valuable writing time gazing outside).
My throne is a vintage Stokke Gravity Balance (currently manufactured by Varier). I fell in love with this chair when it first came out in 1987, but it was always hideously expensive. I bought this Stokke chair secondhand for four hundred euro. That might sound like a lot of money for a secondhand chair, but these chairs are built to last. The 2014 price for a Varier Gravity Balance with black leather upholstering starts at twenty-three hundred euro, so four hundred euro is a bargain. The leather was faded, but I managed to get it black and shiny again.
The Stokke Gravity Balance has four seating positions:
When writing, I rest my knees on the two lower pads (with my feet tucked under the seat) and the wooden curves rest on the ground, so the seat is tilted forward. This is an active seating position that fosters a tilted pelvis and a straightened spine.
When researching/reading/watching films, the seat will be in the neutral position (like in the picture). In this position, my feet are often between the two pads or on the left pad.
Listening to music, I lean back into the reclining position and put my calves on the knee pads. In this position I often sit while thinking up new scenes for my books.
Finally, I can push off and tilt all the way back into the ‘zero gravity‘ position. This fully reclining position can be used for napping. The legs, on the knee pads, are elevated above the torso, so the blood flows down to the abdomen.
My Laptop Table:
My 15” MacBook Pro rests on a Lounge-Tek book table. The laptop platform can be tilted and swivel 360 degrees, and is fixed with an angled rod to the main post. On top of the main post is a smaller flat platform where I often place the covers of DVDs and CDs. The height adjustable post stands on two angled feet with hard plastic feet. The sturdy Lounge-Tek table is light enough to push and pull, but stable enough not to drop collapse with my expensive stuff on it. I’ve had this table for a couple of years now (it can easily used in beds or with couches that have a small gap where the feet slide under).
The Soundtrack Equipment:
I always play music when I’m creating.
Up until a month ago, I used a Grado SR60i headphone, which functions pretty good with the iPad, but only pretty well with the MacBook and just adequate with my stereo. Since Grado has updated its line of headphones, I could get a sweet deal on a Grado SR325iS, which is a giant leap from the 60, but also a bit harder to drive. Hence the FiiO E10K Amp/DAC. So what does the FiiO do? While the signal from the headphone socket of the MacBook is pretty good, the E10K’s Digital to Analogue Converter connects to the USB port, where it both draws its power and converts the digital iTunes signal to analogue (sound) using an external sound card that is quite a lot better than the internal sound card of the MacBook. On top of that, the FiiO has a pretty powerful amp that can power 16-150 Ohm impedance headphones. As the SR325iS is 32 Ohm, the FiiO has no problem enhancing and amplifying the iTunes signal to near Compact Disc quality for the headphones. The E10K also has a Bass Boost switch and a low/high gain switch, as well as an analog and digital line-out. The headphone jack is coupled to the potentiometer to adjust the volume. To protect and store these high-end headphones I found a Sennheiser HH10 padded headphone support that clamps onto the laptop platform.
The Supporting Cast:
Of course I have other gear that doesn’t belong on the laptop platform, but still has to be within reach.
From Left to Right: Seagate 1TB hard drive for back-ups, Klean Kanteen water bottle, remotes for when I listen to my stereo instead of my MacBook, my trusty iPad2 with bluetooth ZAGGkeys ProPlus keyboard for writing ‘on-the-go’, Samsung mobile phone, magnifier, reading glasses, pen, Kindle e-reader.
The Book Shelf:
Every writer has reference works.
These are non-fiction books on a variety of topics like crime, weapons, and psychology; and reference books on writing, medical terminology, grammar and proper usage.
That concludes the tour. If you feel like supporting me and help me to keep writing and publishing, head on over to the main page for links to the retailers that sell the Amsterdam Assassin Series.
Please comment if you want to discuss my set-up or your own.
As I mentioned in this article, I’m a stickler for verisimilitude. I found some discussion on the lack of realism in fiction, which is not the issue:
What many people are looking for in fiction is verisimilitude: the story has to ‘ring true’. Actions have to be believable. Behaviour has to be consistent. Actions need to have consequences.
It’s not the same as realism, as reality will have unbelievable action, inconsistent behaviour, and the consequences of actions are sometimes completely lacking or not in relation to the action.
Verisimilitude—like justice and honesty—is an idealistic concept: we think we know what the truth is, just as we think we know what justice is and think ourselves to be honest. However, truth is different for anyone; justice is an ideal that is rarely found in real life; and if you’re honest 24/7, you will be severely lonely.
Truth is relative, which is why it can be applied to fiction. If the author poses a kind of truth that is supported by the story, the reader will suspend their disbelief, trusting the author to deliver on their promise.
If the author fails to support the truth they pose, the story will become ‘unbelievable’ and reviewers will say the book isn’t ‘realistic’. That’s not the case: the author just didn’t manage to support the truths they posed in the story.
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If a mystery gets mixed with the occult or the supernatural, the result is often disastrous for the ‘willing suspension of disbelief’. Falling Angel is an exception to the rule.
Struggling private investigator Harry Angel is hired by a foreign client, Louis Cyphre, to find Johnny Favorite, a crooner from before the war. Favorite is supposed to stay at a private hospital in upstate New York, where he is treated for ‘shell shock’ sustained in the war, but when Cyphre tries to visit him he gets the runaround.
Angel visits the private hospital, only to learn that Favorite was transferred to the VA hospital in Albany in 1945. The transfer is bogus, but the person responsible turns up dead, so Angel has to dig in Favorite’s past in order to track him down.
Favorite used to hang out with an eclectic crowd—fortune tellers, musicians, voodoo priestesses and occultists—and Angel’s search takes him from the heights of the Upper West Side to the depths of Harlem.
The missing person case turns sour when it looks like Favorite is desperately trying not to be found; desperate enough to kill anyone who might know where to find him.
Angel follows, descending deeper and deeper into Favorite’s sordid past, only to end up knee-deep in corpses and to find his own past connected to Favorite’s in the most unusual fashion.
Not only are all the characters in this mystery finely drawn, the dialogue is quirky and surprising and the Faustian ending brings the mystery to a satisfying conclusion.
This novel was also filmed as Angel Heart, with Mickey Rourke as Harry Angel and Robert De Niro as Louis Cyphre.
I loved this book. The quirky characters, the weird situations, the interaction. Junior Frenger, a freeloading sociopath recently released from prison, arrives in Miami, where he uses his skills at deception and violence to twist situations into his advantage.
Weary police detective Hoke Moseley investigates the carnage in Frenger’s wake and falls victim himself, which leads to hilarious situations.
Strongly recommended to fans of Elmore Leonard and noir crime novels.