Even though GHOSTING was published years ago, I still get emails and letters asking when the fifth novel, DRONE, will be published. So, here’s a typecast explanation on my long, long hiatus.
My Biggest Mistake Was Writing A Book.
Although I should qualify that statement: my mistake was attempting to write a book from start to finish, in reading order, from page 1 to 500. I started with the opening chapter, I wrote every chapter in sequence, I edited it while I wrote, I bumped into obstacles that totally destroyed the pace, I kept pounding my head against the walls of the scenes that just wouldn’t come out of my mind, I got stuck in frustration on finishing an unwilling chapter before I could start on the next, and I exhausted myself before I finished.
And then I found out that the second storyline sucked and had to be removed, leaving only one side of a zipper without a corresponding side that could be zipped together into a coherent story. So I wrote another storyline that had to be inserted into the existing storyline.
The result was a lumpy, lopsided mess that brought me to despair. And since I’m an autodidact writing suspense fiction in my second language, I had no peers around.
Then I found a writing website, now sadly gone, called Thoughtcafe, where I found my peers. People who read my stuff, told me it was incredible and worthy of all the attention I could muster to polish out the lumps and make it run smoothly like the zipper was oiled with eel’s snot.
My second novel practically wrote itself. I didn’t give a shit anymore about the order in which to write, I wrote the draft for myself without any regard for punctuation, grammar, and spelling, and I kept my inner editor locked away in a dungeon until I finished the whole rough draft.
Only after I wrote the draft of the entire novel did I sit back and reread it while highlighting problem areas and adding notes on how to fix the flaws.
Which is why I always tell beginning writers: ‘Don’t Write a Book, but a Draft‘. Write the scenes in random order, assemble them in a sequence that pleases you, see what’s missing and fill that in until the story flows, then get your editor to help you iron out the wrinkles.
The first draft is ‘For Your Eyes Only, Only For You’. Not to be shown to anyone else until you turned it into a manuscript, which will be read by your betas and editor, who will provide you with feedback to improve the manuscript into something publishable.
But the writing part? That’s yours, and nobody should touch that.
*My disability has been terminated, by the way, sending my marketing budget all the way down beyond zero. So now, I’m relying even more on you, my readers, to do what I cannot do – tell others that you liked my books and help spread the word that my books are worth reading.
I thank you for your support.
I was asked on Quora: “What is your personal method for finding short stories ideas?” and this was my response:
BONEBAG by Martyn V. HalmTalons digging deep in her bony shoulder jerked Ange from pleasant dreams into cold dark reality. Muted green numerals floated in the dark bedroom to inform her that it was a quarter past two in the morning. Angrily she reached up, pried the fingers from her shoulder and turned to face her lover.“Christ, Carla! It’s two in the morning, what the…”A skittering sound in the kitchen made her swallow the rest of her tirade. Ange sat up and listened. The neon sign of the bar downstairs sprang on, blue light washing over the bedroom walls and the pale blob of Carla’s face, her dark eyes wide with fear.Soft paws skittered along the length of the kitchen floor, followed by big paws that scrabbled for a hold. Ange could hear the claws gouge the linoleum floor as the cat wheeled around in pursuit of some ignorant rodent that had entered their apartment by mistake.“That’s Felicia,” Carla whispered in a high strangled voice. “Your cat got something…”Ange cocked her head. “Not yet. But she will in a minute. Now, can we go back to sleep? I have to be up at—”“No, Ange.” Carla’s warm damp hand fell on her thigh and she could smell the sour smell of sleep on her breath. “Please, you got to do something.”“Go to sleep.” Ange slipped back under the warm eiderdown, pulled the covers over her head as she turned on her side.On the other side of the wall steel clanked against steel. Felicia’s food bowls. Apparently the pursuit had progressed into the bathroom.“Ange!” Carla tugged her shoulder. “You know what she did last time!”A couple of weeks back Felicia killed a mouse, opened the tiny rodent from throat to anus, and deposited the mutilated corpse on the floor in front of the bed, in obeisance to her mistress. Carla, who usually slept in, had the misfortune to get out of bed early. Still half asleep she put her foot in the gored mouse, her toes squishing into the juicy carcass. Yelling the whole apartment building awake, Carla had hopped on one leg to the bathroom and vomited all over the toilet seat while she removed the rodent’s entrails from between her toes.“Just look where you put your big feet tomorrow,” Ange mumbled chagrined and turned on her side again. “And try to project your vomit into the bowl this time.”“You know I can’t help it!” Carla took a deep shuddering breath. “Dead animals upset me.”Upset was a mild term for the phobic revulsion Carla exhibited when confronted with a flattened hedgehog or a fish floating belly‑up. Her irrational hysterics spoiled walks along the beach and trips through the countryside. It put a damper on a pleasant walk in the woods when you had to hold your lover’s hair out of her face while she puked another meal behind a tree.And still…What bothered Ange was the suspicion that Carla’s abhorrence was mixed with fascination. Why else would her eyes scan the asphalt for roadkill? Or make Carla stand transfixed at the sight of gulls hacking an unfortunate crawfish to pieces? A slaughtered mouse in the house would keep her up till dawn.And Ange with her.“What the fuck do you want?” Ange turned around to face Carla. “You want me to help Felicia kill the stupid bugger? Is that what you want?”“Just end its suffering.”Ange whipped the eiderdown away. “I’ll make it suffer all right.”The bedroom window was partially open and she was freezing her scrawny butt off, the cold waking her up completely. The neon sign flashed again, outlining her body in an almost pornographic blue nimbus reflected in the mirror in the corner of the room.Where her parents found the audacity to call her Angelique was beyond her, for her appearance was anything but angelic. Her slanted green eyes narrowed as she viewed her reflection. Her thin frame with the pointed breasts, pelvic bones jutting out from her hips like handlebars, limbs strangely angular and bird‑like. She looked like she belonged in an enchanted forest, a malevolent pixie leading unwary travellers astray.No wonder her nickname at school had been Bonebag.The sign winked out again and Ange shivered as her feet touched the cold linoleum. She hurried across the kitchen floor and entered the bathroom.After she closed the door behind her to keep the mouse in, she pulled the switch cord and shielded her eyes. The fluorescent strip light over the bathroom mirror flickered twice, then burned steadily, humming like an angry mosquito.Felicia hunkered by the cabinet under the washbasin, her tail swishing from side to side. The cat didn’t even glance up at the light, her yellow eyes glued to the tiny creature hiding under the cabinet.With her foot, Ange shoved the cat aside, but Felicia skirted behind her heels and took up guard at a different angle as Ange grabbed the sides of the cabinet and lifted it of the floor.The mouse—startled by the rude disappearance of its shelter—spurted away, a small brown shape streaking across the floor for the back of the toilet bowl.Felicia pounced and looked confused.Ange noticed the trembling mouse behind the mop. Small fella, this time. An inch and a half at most, its tail three times the length of its body. Ange grinned, took the handle of the mop and shook it. She could see why Felicia liked this game so much.The mouse didn’t like the game at all and fled into the shower stall. The rodent realised its mistake too late, for there was nothing to hide behind in the pristine cubicle. And the holes in the drain were too small to pass through, even for a tiny mouse like this one.The petrified mouse cowered in a corner, while Felicia stalked it at leisure, her furry belly low to the ground, clearly savouring the moment. The mouse stared in the cat’s menacing yellow eyes, captivated like a rabbit in the bright light of a poacher. With her furry chin lowered to the tiled floor, Felicia stretched forth a tentative paw and nudged the mouse as if trying to spurn it into action. The mouse scurried back into the corner, reared up on its haunches and froze. Even the whiskers and the nose stopped moving. Its beady eyes, shiny with fear, glazed over. The mouse wasn’t petrified anymore. In mortal fear, its little rodent heart couldn’t handle the stress and stopped pumping.Scared to death.Felicia tilted her furry head. Surprised by the unexpected demise of her prey, the cat sat up and eyed the motionless rodent warily, her quivering ears twisting back and forth. With blinding swiftness, the cat lashed out. Her stiff paw whacked the mouse like a golf club and made the stiff rodent skid the entire length of the shower stall, until its diminutive corpse came to rest upended against the wall. Felicia uncoiled and pounced, coming in for the unnecessary slaughter.Ange held the cat back by the scruff of her neck and picked up the stiffening mouse by its long tail to study the tiny creature. Its eyes—small black nodules bulging from the springy grey‑brown fur—were dull and lifeless. A tiny circle of blood had formed around the left nostril. Its slightly parted jaws revealed small yellow incisors. The tiny front paws were raised to its tiny chest like a dog begging for a morsel.Ange opened the bathroom window to throw the corpse into the dark gardens three stories down. Felicia jumped on the toilet seat, her yellow eyes riveted on the dead mouse. Ange grabbed her cat by the neck and they both looked at the tiny dead creature swinging in the cold November air.“Ange?”She didn’t drop the mouse, but pulled back her arm and closed the window.“Ange?”Ange opened the bathroom door, noted the soft yellow light of the reading lamp over the bed shining into the dark hallway. The bedroom looked warm and cozy and here she was standing cold and naked in the freezing bathroom. All because of that stupid bitch and her necrophobia.“What is it?” she yelled back.“Is it… dead?”Ange looked at the tiny corpse dangling from her fingertips. “You can say that.”“Don’t forget to wash your hands, okay?”Jesus H. Christ. Why had she ever shacked up with the stupid cow? She could have been lying in her warm bed. Felicia could have enjoyed her kill. Holding the mouse aloft in her right hand, Ange turned on the tap with her left and looked at her face in the bathroom mirror. The corners of her mouth, her most distinctive feminine feature, were turned down. She touched her full lips, so out of place in her narrow face. Stroked the sensitive skin, the tiny corpse in her other hand momentarily forgotten.Felicia meowed and swatted the air under the swinging mouse.Ange had a mind to take the mouse back into the bedroom and ask Carla to check if the tiny rodent had really kicked the bucket. An impish glitter filled the green eyes looking back at her from the mirror and her wide mouth curled into a wicked grin.She took the fragile corpse between her fingers, felt the bones under her fingers. A little bonebag. Ange opened her mouth and placed the mouse inside, facing out. Tilted forward on her tongue, the tiny paws and the small furry head stuck out over the lower hedge of her white teeth. It looked like the mouse lived in her head and her mouth was its balcony. Staring into the eyes of her reflection, Ange closed her mouth gently to keep the little corpse in position. To keep the inside of her lips from touching the mouse, she had to pout lasciviously. Ange turned off the tap, switched off the light and left the bathroom. Her step was light as she padded to the pool of light in the bedroom.Felicia followed closely, rubbed her furry body against her moving legs.Carla sat in the middle of the bed, hugging Ange’s pillow against her breasts. Her dark eyes searched her face.Ange stopped at the foot of the bed and kneeled on the eiderdown, pinning Carla’s legs under the covers. With a seductive smile around her pouting lips, she came slowly forward over the bed, supporting herself on her hands, trapping her lover under the eiderdown.“Did you throw it out of the window? I heard—”Ange shook her head slowly, her eyes fixed on Carla’s.“No?” Carla looked worried. “You didn’t throw it in the trashcan, did you? I can’t…”Ange leant forward and opened her mouth, arched her tongue under the small paws and moved the mouse up and down behind her teeth.Carla blinked and focused on the dead mouse wobbling in her lover’s mouth. Her huge dark eyes widened in horror and she backed away until her back was against the wall. Ange closed her mouth, rocked back on her heels, pointed at her throat and swallowed thickly.Carla’s eyes filled with revulsion and she broke away, threw herself off the bed. She bounced hard with her elbows on the carpet as she tumbled in a heap on the ground. Loud retching noises came from her mouth as she grabbed the door frame to support herself as she stumbled off to the bathroom.Ange rose from the bed, opened the bedroom window and spat the tiny rodent corpse into darkness. The dead mouse dropped three stories and landed with an audible thud on the sidewalk. She hawked up a gob of saliva and spat into the blue neon night.Wiping her mouth, Ange climbed back into the warm bed. She thumped the pillow back into shape, turned off the light and listened to Carla vomiting in the bathroom, then smiled to herself and pulled the warm eiderdown over her head.Copyright: Martyn V. Halm. All Rights Reserved.
Now, I came up with the idea for this story because three things about this story are real experiences:
- My mother has extreme necrophobia, like Carla in the story. Her revulsion to dead animals borders on hysteria and used to make me extremely angry at her when she would scream like she’d broken her hip when it was just the cat bringing home a dead bird.
- I once got out of bed and stepped into an opened carcass of a mouse, lovingly laid out by my cat. I wasn’t revolted, like Carla, because I recognised that the cat gave me a gift. I was her master, so she gave me an offering. I praised my cat and pretended to eat the mouse, then – when she wasn’t looking – I tossed the carcass out the bedroom window for scavengers in the gardens to enjoy. And I recall thinking how my mother would’ve been in hysterics if she had stepped in a dead mouse.
- And I was woken by the sounds of my cat stalking a mouse in the bathroom, where the events happened like in the story – I lifted the bathroom cabinet and the mouse fled into the shower stall, from where it couldn’t escape. It sat back on its haunches watching as my cat stalked into the shower stall, and then the mouse just died. My cat had the same response as Felicia – she was surprised and disappointed, then wanted to bat the mouse through the bathroom, but I intervened and picked up the mouse, studying it briefly before tossing it out the bathroom window.
There is a ratio going around that you’ll get on average one unsolicited review for every thousand books you sell. At this moment of writing, I have 115 reviews on GoodReads and 75+ reviews on Amazon. And I can assure you that I haven’t sold a 1000 books per review, more like 30-50 books. And none of these reviews is bought*.
I did a few giveaways on GoodReads that netted me some reviews, but most of my reviews are from two things:
- I give away ARCs, which are Advance Review Copies. That means that I send reviewers my books before they are published, so they can post a review when the book is published.
- I ‘request’ reviews from my readers by posting this message at the end of each book:
Thank you for reading the Amsterdam Assassin Series.
For an independent author, gaining exposure relies on readers spreading the word, so if you have the time and inclination, please consider leaving a short review wherever you can.
Most readers won’t consider leaving a review, because they are not used to voicing their opinion, or because they don’t see the importance, or just because no one asks them for their opinion. That’s why the message at the end of the book is so powerful – I just remind them gently that I would appreciate if they’d tell others about this book they enjoyed, so others can enjoy the books too. And I’m serious about reminding them gently – don’t push readers into feeling obligated to review your books. And be grateful for every review, whether it’s 20 or 200 words long.
*Customer reviews now outnumber professional reviews, but that has also made for some underhanded practices – just as you can buy Facebook Friends and Twitter Followers, you can also buy reviews, especially through websites like Fiverr.com which trades in fake reviews that are posted through multiple accounts.
Other loathsome review practices are the ‘quid pro quo’ review circles, where authors buy each other’s books and give each other glowing reviews, and authors creating ‘sock puppet’ accounts to write their own reviews and upvote themselves (and/or downvote their competition. Most of these fake reviews are easy to spot, since they are as formulaic as the books they promote, but it’s still profitable since many readers equate having a lot of reviews with ‘a quality book’.
I often get question on how I write, how I know what I put in or take out, how I know when to end a chapter and begin a new one… This blog post explains how I turn the messy first draft of a book into a manuscript that is structurally sound.
One of the most annoying statements people make when they hear I’m a writer, is that they’ll shake their heads and say, “I’d love to write a novel, if only I could find the time.”
To most writers, this is a seriously demeaning statement, because most of us have 24 hours in a day, juggling our work, private life, responsibilities and social activities, and yet we authors are able to find our time to write.
I’ve written several novels and short stories and I’ve had people asking me, where do you find the time to write? And I tell them, wherever I can:
- I worked night shifts as a security officer, filling the bulk of my shifts with writing.
- I rarely watch live television, but I pre-program my television to record what I want to see, so that I can fast-forward through commercial blocks (a two-hour movie on television contains some 30-40 minutes of commercials!).
- I write on an iPad with a bluetooth keyboard that I take everywhere, so I can write in waiting rooms and playgrounds (where my children are running around).
- I turn my manuscripts into e-books that I can edit on my e-reader while I’m waiting in queues at the supermarket or during rides in public transport.
- I get up an hour before the rest of the family wakes up, so I can cram in some writing before breakfast.
And I don’t mess around when I’m writing:
- I write in drafts so that I finish a draft before I start editing. Writing and editing require different mindsets – I used to edit while I wrote, but I don’t do that anymore, because my inner editor will stifle my creative mind. And if you spend time editing on a scene that you’ll cut anyone is wasted time.
- I don’t worry about beginnings, endings, chapter length, opening sentences, character names, or if the right words don’t come to mind (I write the closest word and add a @, so I can find the word again when I’m editing). Most of that stuff will be decided on in the editing process. My first rough draft is not to be read by anyone but myself.
- Formatting, like smart quotes, bold, italics, chapter names, et cetera, is decided in the late editing stage, when the story is shaping into a manuscript.
The most important thing is that rough draft. Get that story out of your mind and onto a paper or screen, so you can look at what was in your head. Two hours movies often have several hours of deleted scenes that never made the movie. A sixty minute album of music will require a week of studio time. A novel you can read in eight hours was created in twelve months from a manuscript that might take twenty-four hours to read.
When you get better at filming, you will become more efficient. You won’t need to shoot eight hours of film to produce a two-hour movie. You won’t need weeks to produce sixty minutes of music. And you won’t need to re-write your draft six times to produce a polished manuscript. With practice, you become more efficient.
Don’t fritter your time away – do something constructive and write that draft. You can thank me later.