I often get question on how I write, how I know what I put in or take out, how I know when to end a chapter and begin a new one… This blog post explains how I turn the messy first draft of a book into a manuscript that is structurally sound.
While my stand-alone noir novel In Pocket went through the beta-testing, I submitted the cover I had to the 2015 E-Book Cover Makeover Contest, and I won a spanking new cover.
New cover, courtesy of Farah Evers Design:
You can find information on the contest here. The pitch for In Pocket:
Picking the wrong pocket might prove fatal…
Nomadic pickpocket Wolfgang gets blackmailed into teaching his craft to the mysterious Lilith, a young woman with no aptitude whatsoever to become a pickpocket. Wolf figures the easiest way is to go with the flow and instruct Lilith in the art of emptying other people’s pockets, but even he could never foresee the dreadful consequences…
IN POCKET is a standalone novel by Martyn V. Halm, the author of the Amsterdam Assassin Series. Follow Wolf as he gets entangled in a possibly fatal web of violence and deceit, where nobody is who they seem to be and everyone has a hidden agenda.
I hope to publish In Pocket before the end of this month.
My cover designer, Farah Evers, updated my covers to make them more legible at a smaller size. I replaced the covers on Amazon, iTunes, Kobo, Barnes & Noble, Nook, Scribd, and all other retailers.
Here are the old covers (left) and the new covers (right).
The differences are subtle and perhaps only noticeable if you have the covers side-by-side, but I’m nevertheless very pleased with the upgrade! What do you think? Improvement or not?
Amazon doesn’t allow self-publishers to sell their books for free, as loss-leaders, but I have two free stories on Amazon.
Now, I want to set a third story free on Amazon, and I need your help to do that.
Will you help me? It will only take a minute or so. Here’s what you do:
First, copy this Kobo link: https://store.kobobooks.com/en-US/ebook/fundamental-error
Second, follow this link to the page of Fundamental Error on Amazon.com
If you scroll down the Amazon page, you’ll see this under Product Details:
Where did you see this lower price?
URLPrice ($)Shipping cost ($)
Lots of writers seem to be gearing up for National Novel Writing Month or NaNoWriMo.
For those not ‘in the know’, the goal is to spend all November to cobble 60,000 words together, so you can say you wrote a novel in a month. And quality be damned, because you shouldn’t spend too much time on editing and revision if you want to churn out 2,000+ words a day, every day.
Many writers consider it a challenge. Me? Not so much.
I’ve never participated. I’m too busy writing to join challenges. Just as I rarely respond to writing prompts. I don’t ‘play’ at writing or see writing as a ‘sport’, where you have to attain a certain number of words to reach the finish line.
I don’t care about the quantity, I care about the quality.
I know, I know. The goal is to get those writers who spend weeks on torturing themselves, agonising over writing the perfect 1,000 words in a month to throw caution in the wind and write!
Yes, I got that memo.
It’s one of the first things I give as advice to people who write a 1,000 words and ask me if they can be writers. Just write the whole story down without editing and stuff it in a drawer for six weeks, knowing you can finish writing a story, then take it out and edit the mess into something legible.
However, nobody ever needed to tell me that. When I started writing, I didn’t care what other people would think about it. I was too busy enjoying myself to worry about other people’s opinions.
I’m unusual, I guess, in the aspect that I never had the same questions about writing that many writers seem to have. I know why I write. I know what I want to write about. I know what a writer is, so I don’t need to ‘Be A Writer’.
I don’t worry about the length of a chapter or sentence or paragraph or scene. I didn’t go to school to learn how to write, I read books and told stories and used my experience to craft my work.
Writing is a joy to me, because it is an outlet of creativity that might otherwise fester inside me and turn me into someone I don’t want to be. I live vicariously through my characters. And that is not a challenge, but a liberation.
To play games, like ‘how many words can you write with the letters kfjaofeiruefocirgfj’ seems to cheapen the art of exploring your psyche and creativity to me. And I don’t mean in the dramatic sense. I like to look in the abyss and see if there are monsters looking back at me. Gives me something to write about.
I know I could churn out 2,000 words a day for a month, but where’s the fun in that? So I can give myself a pat on the back for persistence? I published three books and three short stories in the Amsterdam Assassin Series, I’m prepping a stand-alone novel for publication and I’m writing and researching the fourth novel in the series.
I don’t need to be challenged to write. I need time. I need people to take over the time-consuming and soul-destroying task that is self-promotion, so I can free up more time to write.
And I’m not saying you shouldn’t participate in NaNoWriMo or other challenges, if that’s your thing. But to me, there are more worthwhile things to do this November.
To get the Amsterdam Assassin Serie noticed among the many books already out there, I offer free copies of Reprobate in exchange for reviews on Goodreads, Scribd, Amazon, Kobo and iTunes.
Assassin Katla breaks her own rules when confronted with an unusual witness…
Blessed with an almost non-existent conscience, Katla Sieltjes, expert in disguising homicide, views assassination as an intricate and rewarding occupation. Hidden behind her male alter ego Loki, Katla receives anonymous assignments, negotiates the terms with clients through electronic means, all to protect her identity. Her solitary existence satisfies her until she meets a blind musician whose failure to notice a ‘closed’ sign causes him to wander in on Katla’s crime scene. And Katla breaks one of her most important rules – never leave a living witness.
Reprobate is the first novel in the Amsterdam Assassin Series. With authentic details and fast-paced action, featuring an uncompromising heroine and a supporting cast of unusual characters, Reprobate gives a rare glimpse in the local Dutch culture, information on the famous Dutch capital, the narcotics trade, computer hacking, motorcycle gangs, mehndi bridal tattoos, martial arts, the psychology of social engineering, and the brutal effectiveness of disciplined violence.
This e-book now features a glossary.
So, if you want to support me and help me get noticed, send an email to firstname.lastname@example.org with ‘Reprobate Review copy’ in the subject and tell me what e-reader you use and I’ll send you the Reprobate e-book file attached to the email. You can download the file and upload it to your e-reader. Available files are .mobi, for the Amazon Kindle, and .epub for the Nook, Kobo, Sony, iPad and most smartphones with e-reader compatibility.
Thanks to everyone for your support.
I loved this book. The quirky characters, the weird situations, the interaction. Junior Frenger, a freeloading sociopath recently released from prison, arrives in Miami, where he uses his skills at deception and violence to twist situations into his advantage.
Weary police detective Hoke Moseley investigates the carnage in Frenger’s wake and falls victim himself, which leads to hilarious situations.
Strongly recommended to fans of Elmore Leonard and noir crime novels.
My rating: 2 of 5 stars
Well, I managed to get to 29% of the Kindle version of The Killing League until the lack of verisimilitude deflated my suspense of disbelief.
I had high expectations of this book, due to the enticing blurb, but the story failed to deliver. The characters were described to provide a visual image, but I got no sense of their internal emotions beyond what Ms. Amore told me they were feeling. The writing is not unskilled, and some of the descriptions were quite visceral, but when someone fires a gun in a forest and:
The smell of cordite hung in the air around them.
That’s a huge red flag that someone doesn’t know what they’re writing about. Cordite hasn’t been used firearm ammunition since second World War and the triple-based gunpowder that replaced might have a acidic metallic smell that might be picked up by extremely sensitive noses, but only if someone fires boxes of ammunition in a closed space, like a small room or a badly ventilated shooting range. In the open air? No chance that a smell will hang around after firing one round.
Of course, Ms. Amore is probably not the only writer who mistakenly uses cordite with post-WWII ammunition, but there was more to The Killing League that failed to engage me.
The lack of characterization was grating. None of the characters was even faintly interesting. Not the serial killers, who seemed derivative and unoriginal, nor the protagonists Mack and Nicole, who are both bland and superficial.
The pace was sluggish because the writer felt compelled to fill whole scenes with descriptions or explanations that were not necessary for any mildly intelligent reader to figure out for themselves. Dialogue was often pedestrian and interspersed with dragging descriptions:
“Hey Boss!” Antony Toffol, her sous chef, called out as she started inventory on the wine selections.
“Yeah,” she said. He stood with the door to the kitchen open. Nicole smelled the olive oil, garlic, onion, rosemary, shallots, paprika and black pepper that were being used in various incarnations.
“Someone dropped off a card for you,” he said. “It was under the door when I opened up — it’s over on the receptionist table.”
“Okay, thanks,” she said.
I don’t like to ‘force’ myself to read. There are so many books still to be read, that I couldn’t justify wasting my time on this one. Sorry, Ms. Amore, but the second star is merely because the formatting and editing seemed professional. The story itself didn’t rate more than 1 star for me.
When asked, many people will say they want to write a novel, but do they? While there are many considerations to make before embarking on this fickle career, these are some of the basic considerations you might want to ponder:
- Can I tell the story in less than 10,000 words?
- Can I create multiple characters all equally able to be protagonists in their own stories?
- Can I suspend the disbelief of my readers?
- Do I have the stamina to create a 80,000 word novel?
- Do I have more than one novel in me?
- Can I handle making less than minimum wage while I work almost 24/7?
- Can I handle the ridicule and stupid remarks if I go public?
The reason you need to consider these questions:
- 10,000 words is a short story. Novels take up more words.
- A protagonist needs peers and antagonists, who need to be equal to the protagonist to make the story interesting.
- Readers want to be immersed in a story, they want to believe in your characters. So the desire is there. If you weave a story that makes believers out of readers, you can be a writer.
- Although everything over 60,000 words can be called a novel, most novels are between 80,000-100,000 words. If you write a 1000 usable words a day, that means about three solid months of writing.
- Most successful authors are prolific with at least 5+ novels to their name. There are exceptions, but don’t imagine yourself to be one of them.
- Do you know the author Philip K. Dick? People who are serious about storytelling are generally in awe of his storytelling ability. His novels and short stories form the basis of movies like Blade Runner, Total Recall, Minority Report, Paycheck and a host of others. Even in his best years, Dick rarely earned more than 12,000$ per year. In fact, most writers don’t earn more than 10,000$ per year and most earn considerably less. Even Stephen King had to support his family with his teaching job for the first decade of his career. And James Patterson made his money in advertising before he turned to writing fiction.
- I’m fortunate that most people don’t want to antagonize me (based on my size and my encyclopedic knowledge of murder), but even I get disparaging remarks, or questions how much I earn with my books, or people who think their ideas are sufficiently interesting that they can tell them to me and I ‘just write them down’. Not to mention the many many people who would love to write a book, if only they had the time. Of course, the idiocy gets balanced by people who are genuinely awed by a writer’s ability to create stories and characters ‘out of thin air’ and readers writing you about the character they like the most and ask if that character will be featured in the upcoming book. Still, a writer needs thick skin. If you’re sensitive and insecure about your own abilities, you might want to reconsider choosing writing fiction as a career.
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