As someone asked me about my attitude towards movie adaptations of the Amsterdam Assassin Series, I thought about movie adaptations in general, the ones who were superior to the novels, the ones who were equal, and the disappointments.
I’m a huge Philip K. Dick fan, but I do prefer Blade Runner to Do Androids Dream Of Electric Sheep. I read Ken Kesey’s One Flew Over The Cuckoo’s Nest, but the Milos Forman movie adaption cemented Jack Nicholson’s maniacal McMurphy in my mind. I love Anthony Burgess’s A Clockwork Orange just as much as the Kubrick movie. The movie The Dead Zone is an improvement on the Stephen King novel, with an excellent Christopher Walken, just as Kubrick’s The Shining is superior to the King novel, but, while the movie is excellent, Shawshank Redemption is slightly less moving than the King novella Rita Hayworth and the Shawshank Redemption. Kick-Ass the movie is slightly more fun than the graphic novel. The Pope of Greenwich Village was much better than the novel by Vincent Patrick. Papillon the movie impressed me more than Papillon the novel. Perfume the movie was pretty good at conveying smell in visual images, but the novel’s prose is superior. Shogun the miniseries is flawed but impressive, but the novel is excellent (although Clavell’s King Rat is a superior novel, with an also excellent movie adaption.
Disappointing to me, as a Philip K. Dick fan, are the movie adaptions of We Can Remember It For You Wholesale [Total Recall] and Paycheck. A Scanner Darkly was pretty good, but not as good as Dick’s story. And Minority Report [movie], while visually impressive, seems only to have tentative connections to the excellent short story by Dick.
Personally, I think that a movie adaption of the Amsterdam Assassin Series would skate over the multi-layered storyline and would become an action/adventure vehicle that would be too superficial to appeal to the readers who love the series intricacies. Plus, I think Katla’s chameleon-like abilities to be eminently forgettable and melt into the background would suffer from being associated with the image of any actress, who prefer to be anything but forgettable.