Recently, a discussion on GoodReads was started by a reader who loved stand-alone books, but every book he was offered seemed to be part of a series. The thread quickly turned ‘anti-series’ with complaints about sequels being less good than the first novel, stories become repetitive, single volume books being enlarged to fill several volumes to make more money from gullible readers, writers becoming too lazy to invent new characters, and so on.
As I write a suspense fiction series, I want to address these issues in this blog article.
When I wrote Reprobate, I had some excellent ideas for additional plot lines that would explore other sides of the freelance assassin protagonist, so I decided to develop the Amsterdam Assassin Series as a series of stand-alone novels and short stories that have the same characters but enjoying one book does not rely on having read the other books/stories. No cliffhangers beyond readers want to know what will happen next in the lives of the protagonists.
As to the concerns addressed in the GoodReads thread:
“Can’t you put just everything in one book?”
No. The books are all over 100K and all have a different theme. The first book, Reprobate, deals with the protagonist breaking her own rules and the consequences. The second book, Peccadillo, has criminals trying a hostile takeover of her legitimate business, unaware that they’re dealing with an assassin. In the third book, Rogue, Katla comes to the attention of global intelligence communities when she kills the wrong target. I’m currently working on the fourth novel, Ghosting, which will show yet another side of the character.
“The first book is mostly good, but the rest is repetitive crap.”
Most reviewers agree that the second book is superior to the first book. I just published the third novel. Feedback from the beta-readers convince me that Rogue is both different from Peccadillo and Reprobate, but just as interesting and entertaining. Just because some people force themselves to turn a stand-alone book into a series doesn’t mean every series writer succumbs to this laziness.
“You write a series to cash in.”
If I wanted to cash in, I’d write short novels in a hot genre, not suspense fiction about a freelance assassin in Amsterdam. And as I sell somewhere around 30-60 books per month, I’m not ‘cashing in’. If I listened to ‘market experts’ I would abandon the series due to the meagre sales. However, I do have fans who want to know what happens to the protagonists and are eager for future books (check my reviews), so I just ignore the sales and keep on writing what I love to write.
“Series are just fluff/sugar coated candy/throwaway books.”
My series is pretty dark, which is quite normal for a suspense fiction series with a freelance assassin protagonist. I’ve been praised for the brief instances of wit that lighten the mood and ground the story in reality. In keeping with the need for verisimilitude, the events in the books have real moral/ethical/physical consequences and I received feedback from fans on how scenes made them reconsider the reader’s own attitudes.
“You’re just too lazy to invent new characters.”
Writing a series is actually more difficult than writing stand-alone novels, mostly because you need to satisfy both the new readers and the readers who read the other books, which requires a fine balance of putting in just enough back story to please both. Meanwhile, I dedicated myself to writing about characters who might never ‘hit it big’ with fans. Writing stand-alones with new characters doesn’t require any referencing to published stories.
Also, the series does feature new characters. Granted, they may be antagonists, but if the antagonists don’t measure up, the protagonist will fall kind of flat. I go by the principle that any character I create should be able to hold their own as protagonist of their own stories, so they have to be fully developed, not just sounding boards for the main characters.
Still I understand how readers don’t want to read series and prefer stand-alone books. In that case, Reprobate would work as a great stand-alone novel because it has all the characters, but all the plot lines are resolved in the end and you don’t need to read the other books.
Except if you want to know what the future holds in store for Katla and Bram…
To get the Amsterdam Assassin Serie noticed among the many books already out there, I offer free copies of Reprobate in exchange for reviews on Goodreads, Scribd, Amazon, Kobo and iTunes.
Assassin Katla breaks her own rules when confronted with an unusual witness…
Blessed with an almost non-existent conscience, Katla Sieltjes, expert in disguising homicide, views assassination as an intricate and rewarding occupation. Hidden behind her male alter ego Loki, Katla receives anonymous assignments, negotiates the terms with clients through electronic means, all to protect her identity. Her solitary existence satisfies her until she meets a blind musician whose failure to notice a ‘closed’ sign causes him to wander in on Katla’s crime scene. And Katla breaks one of her most important rules – never leave a living witness.
Reprobate is the first novel in the Amsterdam Assassin Series. With authentic details and fast-paced action, featuring an uncompromising heroine and a supporting cast of unusual characters, Reprobate gives a rare glimpse in the local Dutch culture, information on the famous Dutch capital, the narcotics trade, computer hacking, motorcycle gangs, mehndi bridal tattoos, martial arts, the psychology of social engineering, and the brutal effectiveness of disciplined violence.
This e-book now features a glossary.
So, if you want to support me and help me get noticed, send an email to firstname.lastname@example.org with ‘Reprobate Review’ in the subject and tell me what e-reader you use and I’ll send you the Reprobate e-book file attached to the email. You can download the file and upload it to your e-reader. Available files are .mobi, for the Amazon Kindle, and .epub for the Nook, Kobo, Sony, iPad and most smartphones with e-reader compatibility.
Thanks to everyone for your support.
Revisiting On Writing Tools:
As I wrote in my previous article On Writing Tools, I use an iPad2 with an Adonit Writer Plus keyboard for the main bulk of my writing.
“With the advent of the iPad3, the iPad2 was dumped on the market, so I got myself an iPad2 with an Adonit Writer keyboard/iPad case combo. Although the keyboard is quite a bit smaller than a regular keyboard, the portability is incredible – weighing next to nothing, the iPad/Adonit joins my Kindle in the laptop compartment of the backpack I take everywhere. With its battery-life of ten working hours, the iPad is much better at working wireless than most laptops. I installed Apple Pages for iPad and transferred all works in progress to the iCloud and I’m a happy person.”
However, I stopped using Pages and started using Scrivener for Mac, using a MacBook Pro at home, and exporting scenes I’m working on to SimpleNote, so I can work them on my iPad.
Of course, there are some minor issues – SimpeNote is a simple note program, so it has no bold, italics or underlined function, nor does it do well with ellipsis or em-dashes. However, I found that working on the iPad, has two major advantages:
- the iPad has a substantially longer battery life, and doesn’t take long to start up.
- the iPad SimpleNote app features no distractions, so you’re not tempted to fiddle with formatting or editing, because you will do that later on the MacBook when you have the power of Scrivener to accommodate your needs.
Although I hope that Scrivener will release a version for iOS soon, I’m quite pleased with the Scrivener/SimpleNote functionality.
I shifted from proofreading on my old Kindle to proofreading epubs on my iPad. The touch screen makes highlighting much easier, the full-sized bluetooth keyboard makes notes easier and the list of highlights and notes is easier to delete by swiping the note in the list to the left.
On my Kindle, I could delete highlights/notes by pressing ‘delete’ on the small keyboard. If you have a newer Kindle without the keyboard, that might not work. On the other hand, if you just leave the list and upload a new version, you can easily delete the old version and take the editing list with it.
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